The suite was Satie's first composition for piano four hands, a genre he would subsequently enrich with original works ( Aperçus désagréables, En habit de cheval) and arrangements ( Parade, La belle excentrique). "Poire" was also a nickname for a child's spinning top, and the oscillating, repetitive material of the outer pieces of the Trois morceaux has been likened to the toy's movement. This subversive meaning is frequently cited by Satie biographers and researchers, with differing opinions over whether the composer intended it to mock Debussy, himself, or both. In the 1830s caricaturist Honoré Daumier satirically defined the reign of French King Louis Philippe by drawing the monarch with a pear-shaped head, and the insult became entrenched in the popular lexicon. The word "poire" was time-honored French slang for "head", meaning "fool" or "simpleton". The title Trois morceaux en forme de poire prefigures those of Satie's humoristic piano suites of the 1910s and reflects his fondness for puns and ironic ambiguity. Honoré Daumier's 1831 caricature of King Louis Philippe's head turning into a pear To the core group of Morceaux I-III Satie added two introductory and two concluding pieces, with headings that spoofed academic teaching of the kind he loathed during his studies at the Paris Conservatoire in the 1880s. Morceaux I is the only piece in the set consisting entirely of new music the rest were largely recycled from older material. These original two pieces were probably Morceaux I and II, and the work expanded outwards from there. He believes it superior to everything he has written up to now perhaps he's wrong, but we musn't tell him so: he wouldn't believe it." He talks about it a lot and says very good things about it. Monsieur Erik Satie is crazy about this new invention of his mind. If they are en forme de poire they cannot be shapeless." However the probity of this anecdote has been disputed in light of a letter Satie wrote to Debussy on August 17, 1903, when the suite was still in its early stages: "I am working at the present time on a delightful work entitled Deux morceaux en forme de poire. I brought them to Debussy, who asked, 'Why such a title?' Why? Simply, my dear friend, because you cannot criticize my Pieces in the shape of a pear. Conductor Vladimir Golschmann recalled Satie telling him that "All I did.was to write Pieces in the form of a pear. Legend has it the Trois morceaux was Satie's tongue-in-cheek response to Debussy's advice that he should "pay more attention to form" in his music. And the shock of hearing his friend Claude Debussy's landmark opera Pelléas et Mélisande (1902) led him to realise that experimenting with musical Impressionism was a dead end: "Nothing more can be done in this direction I must search for something else or I am lost." He was unhappy earning a meager living writing and performing cabaret music, and had abandoned his recent "serious" musical projects - the piano piece Le poisson rêveur (1901) and the orchestral tone poem Le Bœuf Angora (c. Satie composed the Trois morceaux en forme de poire in Paris between August and November 1903, during a period of creative crisis. It is typical of Satie's eccentric humour that the suite consists of seven pieces, not three. In performance it lasts around 14 minutes. A lyrical compendium of his early music, it is one of Satie's most famous compositions, second in popular recognition only to the Gymnopédies (1888). Trois morceaux en forme de poire ( Three Pieces in the Shape of a Pear) is a 1903 suite for piano four hands by French composer Erik Satie.
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Look at the way Taku curls himself into a hotel bathtub when Rikaku uses him as a prop on a harebrained trip to Tokyo, or how a bird perches on the railing of a boat as it bobs in the water. The hyper-real environments have a lot more personality than any of the generic characters who inhabit them - Taku is the insecure protagonist, Yutaka is the steely and mature classmate, and Rikaku is the erratic girl who turns their lives upside down with the wild indifference of a typhoon - but director Tomomi Mochizuki ekes out real signs of life from this overly familiar plot. “Ocean Waves” spreads its paper-thin story across a stodgy 72 minutes, but there’s a warmth to it that prevents the film from ever feeling as two-dimensional as it appears. READ MORE: “Ocean Waves” Sweepstakes: Enter To Win The Studio Ghibli Prize Pack Nothing much really happens, but the film uses its framing device well, and it isn’t afraid to be governed by the irrational impulses of teenage logic. And so the stage is set for a classic love triangle, told in flashback, governed by the emotional stupidity of adolescence, and paced with the unevenness of memory. Alas, Taku’s best friend, Yutaka, met her first. Her name is Rikaku, and Taku met her when he was growing up in the beachside city of Kōchi. She’s swallowed by the crowd almost as soon he sees her, the girl blinking in and out of sight so fast that our dumbstruck hero can’t tell if he’s actually crossed paths with his teenage crush, or if he’s just been a victim of his own wishful thinking. Nostalgic even in its own time, this sweet little story begins with a young man named Taku standing on a Tokyo train platform and glimpsing a familiar face across the tracks. In both scale and subject, it cleaves closer to the delicate wistfulness of a Haruki Murakami novel - one of his earlier, more earthbound books - than it does the enchanted wistfulness of “My Neighbor Totoro” or the crushing melodrama of “Grave of the Fireflies.” Although it was broadcast before Ghibli had fully solidified its standing as the Disney of the East, a breezy slice-of-life story already seemed like an anomaly for the animation giant. The first Ghibli film that wasn’t directed by either Hayao Miyazaki or Isao Takahata, “Ocean Waves” is glaringly absent the former’s flair for fantasy or the latter’s gift for minimalist heartbreak. Since then, the sentimental high school drama has existed just outside the Ghibli legend, more of a curiosity than part of the canon, unseen to all but the studio’s most dedicated completists. In spite of those simple aspirations, the project came in late and over budget, eventually airing on local television in 1993 and failing to make much of a splash. The most modest and least celebrated of the films produced by Japan’s peerless Studio Ghibli, “Ocean Waves” was conceived as an opportunity for the company’s younger talent to make something on the cheap. I just thought if I had to have short hair anyway, I might as well have something fashionable. Of course, I had no idea that this wedge style would become so famous. He graciously agreed to do it, staying very late at his shop. The Wedge Haircut Technique Strands of hair from the crown and temporal areas are divided into thinner ones The selected strands are thinned with a razor or. With a variety of trendy and low-maintenance styles, there are many different types of pixie cuts to consider. soft bangs inversions and layers to bring it into the modern day. A pixie haircut is perfect if you want short hair that is easy to style for a sexy look every day. Web Jennifer Lopez has her hair in this wedge haircut for this look and you can see. My dad had written him a letter, asking him if he could cut my hair for the Olympics. The pixie cut is an iconic short haircut for women that can work on all hair types and face shapes. Stacked bobs come in a variety of lengths and styles, including super-short, mid-length or with adorable bangs. I was aware of his masterful talent after seeing the chic haircut he gave Melissa Militano, the pairs skater who was also in Senior Ladies with me. The stacked bob is a shorter haircut that uses precisely trimmed graduated layers to make a rounded, full-bodied appearance at the back of the head. The bangs and wavy layers make it an effortless look. There was one time when I was younger when I'd grown it longish and I enjoyed it, but it was easier to keep short - "wash 'n' wear hair." I had read about Suga in magazines and wanted him to cut my hair. 1.1 Brushed Back Undercut 1.2 Blonde Spiked Up Hair with Short Sides 1.3 Thick Brushed Back Hair with A Classic Mid Fade 1.4 Shaggy Hair 1. This haircut is definitely more modern but gets its characteristics from the shag cut. It’s 70’s spin on the classic bob, with hair closer to the neck cut a bit longer than higher layers. Short wedge hairstyle is a classical short haircut whichever gained vogue in the 70’s and inspired thousands of women to head to the salon to get her signature haircut. If you have thin hair, V-cut with layers starting from the. Here is the different and chic short hairstyle: Wedge Hairstyles. "The night before I left for Europe, I had my hair cut by the world-famous hairstylist, Suga. The Victoria Beckham Wedge Haircut Source Posh rocked a contemporary wedge cut like few others. In her autobiography "A Skating Life," Hamill talks about how and when her hair was cut just before the 1976 Winter Games: The stylist behind Hamill's haircut was Yusuke Suga, a New York hair designer originally from Japan. Perhaps unsurprisingly, the best four-slice toaster is essentially a doublewide version of our previous two-slice pick. The best four-slice toaster overall: Breville Die-Cast In the end, the ‘A Bit More’ came out on top for one key reason: It’s $70 cheaper than its slightly more luxe counterpart, and the only true discernible difference is that it operates via manual lever rather than a button-operated motorized lift and lower. Like the Die-Cast, the ‘A Bit More’ turned out remarkably consistent results during all four tests, evenly toasting each slice of both white bread and thicker-cut sourdough, easily defrosting and crisping waffles, and ably accommodating bagels. Both have nearly identical sets of digital controls that are attractive and intuitive to use, featuring a sliding knob that sets the level of toastiness and flashes a countdown of remaining cook time, as well as the increasingly famous “Bit More” button that has shown up on newer toasters and countertop ovens that tacks on some extra toasting time. The two are very similar: Both are sleek and well-built with weighty frames and stylish minimalist exteriors, extremely stable on the counter without feeling bulky both have generously proportioned toasting slots able to handle tall and thick slices alike. In our most recent round of testing, the Breville ‘A Bit More’ beat out our previous overall winner, the Breville Die-Cast. The best two-slice toaster overall: Breville ‘A Bit More’ With a simple new one-hand fold mechanism, the stroller is always in position for the next logical step. Also compatible with other major stroller brands when used with BRITAX adapter strap (included). 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It just takes mental calculation and your fingers to record the result. Voila! With a little mental calculation, you have used the abacus to record the number 12!Īs you can see, using an abacus is easy. Then move one of the two beads on the tens string next to the divider. But leave the two unit beads where they are because they mean 2. So to record the number 12, you must first move the “5” bead on the units string back away from the divider. So you realize a bead on the second string should be activated to record the sum of the addition. With this realization, we realize that 7 + 5 is obviously bigger than 10 so the number can’t be recorded on the ones string only. To use the Chinese abacus to add a number to 7, say the number 5, is easy as well. Voila! You have suddenly recorded the number 7! Now you can do other things, and the number 7 will still be there in case you forget the number. If you want to record a number, say, the number 7, simply move one of the two beads on the ones string over to touch the divider, and then move two of the ones on the ones string over to touch the divider. If it is resting on either side away from it, it isn’t activated. If a bead is positioned next to the central division or towards it, it means it is activated and has a value. If you are the US Treasury, you might want to start from millions and just round for smaller figures.įirst, move all the beads away from the central division. They do not actually have to start from ones. Each rod has a decimal value: the first, ones the second, tens the third, hundreds and etc. The two strung beads each represent five and the five strung beads each represent one. If you ever come into contact with an abacus, what do you do? You might want to learn how to use it. These suanpans can be used for doing division, multiplication and for taking square roots and cube roots as well if the user knows the techniques. Chinese can also use their abacuses for decimal computations. The Roman and Japanese versions are designed for base 10 computations. Chinese abacuses are designed to allow for hexadecimal computation. The Chinese kind has two beads on the rods on one side and 5 beads on the rods on the other side of the divider. There is a divider that separates the left and right strings of beads. The Chinese kind has beads strung on wires or thin wood rods. It was mentioned in a 2nd century BC Chinese document, and versions may have been used for thousands of years prior. The abacus is called “suanpan” (算盤, calculating pan) in China. The Chinese abacus has a long history, and using one is actually simple though it takes practice to use it proficiently. In fact, it isn’t clear where it was invented. Similar abacuses were used since ancient times in the Western world and India also. It wasn’t only the Chinese who used abacuses. I couldn’t figure out how they were used and felt kind of stupid because people were obviously calculating faster than I could. I remember when I first saw them, I was kind of dumbfounded. Up until calculators and teller machines became so cheap in China, they were widely used. In China, in outlying towns or more backward areas, you might see one lying around or actually used if you go into a shop. The abacus is a calculating and numerical recording tool that was once widely used in East Asia. 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To collect bonus CT Money you must present a Triangle Rewards card/key fob, or use any approved Cardless method, at time of purchase or pay with a Triangle credit card. Rewards are in the form of electronic Canadian Tire Money® (CT Money®). Triangle™ Mastercard®, Triangle™ World Mastercard® and Triangle™ World Elite Mastercard® are issued by Canadian Tire Bank. †The Triangle Rewards Program is owned and operated by Canadian Tire Corporation, Limited. ‡Was price reflects the last national regular price this product was sold for. Selection and availability may vary by location. **Online prices and sale effective dates may differ from those in-store and may vary by region. Price = Ĭolor =ĭf = pd.DataFrame(dict(carat=carat, price=price, color=color))ĭf.set_index().unstack('color').plot(style='o') This takes the index as the x value, the value as the y value and plots each column separately with a different color.Ī DataFrame in this form can be achieved by using set_index and unstack. Normally when quickly plotting a DataFrame, I use pd.ot(). In the first plot, the default colors are chosen by passing min-max scaled values from the array of category level ints pd.factorize(iris) to the call method of the plt.cm.viridis colormap object. I chose the "tab10" discrete (aka qualitative) colormap here, which does a better job at signaling the color factor is a nominal categorical variable. Plt.legend(handles=handles, title='Color') Levels, categories = pd.factorize(df)Ĭolors = # using the "tab10" colormap To choose your own colormap and add a legend, the simplest approach is this: import matplotlib.patches In this case "viridis" is not a good default choice because the colors appear to imply a sequential order rather than purely nominal categories. This creates a plot without a legend, using the default "viridis" colormap. Plt.gca().set(xlabel='Carat', ylabel='Price', title='Carat vs. The easiest way is to simply pass an array of integer category levels to the plt.scatter() color parameter. To select a color, I've created a colors dictionary, which can map the diamond color (for instance D) to a real color (for instance tab:blue). It then iterates over these groups, plotting for each one. This code assumes the same DataFrame as above, and then groups it based on color. ot(ax=ax, kind='scatter', x='carat', y='price', label=key, color=colors) If you don't want to use seaborn, use oupby to get the colors alone, and then plot them using just matplotlib, but you'll have to manually assign colors as you go, I've added an example below: fig, ax = plt.subplots(figsize=(6, 6)) sns.lmplot(x='carat', y='price', data=df, hue='color', fit_reg=False) Selecting hue='color' tells seaborn to split and plot the data based on the unique values in the 'color' column. sns.scatterplot(x='carat', y='price', data=df, hue='color', ec=None) also does the same thing.You can use seaborn which is a wrapper around matplotlib that makes it look prettier by default (rather opinion-based, I know :P) but also adds some plotting functions.įor this you could use seaborn.lmplot with fit_reg=False (which prevents it from automatically doing some regression). (Forgive me for not putting another example image up, I think 2 is enough :P) With seaborn Handles =, , marker='o', color='w', markerfacecolor=v, label=k, markersize=8) for k, v in ems()]Īx.legend(title='color', handles=handles, bbox_to_anchor=(1.05, 1), loc='upper left')ĭf.map(colors) effectively maps the colors from "diamond" to "plotting". fig, ax = plt.subplots(figsize=(6, 6))Ĭolors = Īx.scatter(df, df, c=df.map(colors)) The following code defines a colors dictionary to map the diamond colors to the plotting colors. You can pass plt.scatter a c argument, which allows you to select the colors. Import pandas as pd import matplotlib.pyplot as plt import seaborn as sns df = pd. To be considered for this position, please submit your resume and cover letter. Some travel is expected during normal conditions, primarily in North America. Must demonstrate a passion for leading and supporting clients through the energy transition. 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